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The root file system in this chapter is linked with the GNU C Library at runtime, so these files must be on the target as well BusyBox is a program that provides limited-functionality implementations of most command-line tools found on a Linux system Although a root file system doesn t need to contain all these tools, having them available when the system boots is a convenience When you understand what tools are necessary (frequently, it s a very small set), you can remove the rest to economize on space and make the system more secure How does a small root file system make a system more secure The fewer programs, the smaller number of possible exploits A root file system containing just the functionality necessary to execute the application on the target doesn t present an attacker with any more opportunities than absolutely necessary.

You may also want to get properties of the recording. You can access those via the properties of the <listen> element to which the <record> element belongs, as listed in Table 4-9.

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Figure 5-50. The tool has done its work. Once you re happy with the result, hit the Enter key to turn the mask into a selection. The tool options (back in Figure 5-47) include the usual Antialiasing and Feather options, and an adjustment for the brush size (you will want to adjust this if you re trying to select very small objects, or to mark thin structures like branches). There s also a Smoothing control, which lets you adjust the coarseness of the areas selected, and a Color Sensitivity expander that lets you play with how the tool determines what s close enough to the trail you dragged. The SIOX tool is very young, but it shows a lot of promise. Since it s new, the GIMP developers are still adjusting it, and it s likely to evolve over the next few versions. It doesn t work for everything. I find it works best when you have significant color differences (like a magenta flower against a green background), and not so well for objects that include colors similar to the background (like a brown squirrel perched in a tangle of brown branches). Try it out. For certain types of images, the tool works very well indeed, and should be a part of your selection arsenal.

A small number of programs also reduces the maintenance required to keep current with changes happening in the open source community The kernel is the last component in this process The kernel is a self-contained system that doesn t have runtime dependencies Being a very mature project, the cross-build of the kernel works very well The kernel build process is by far the easiest process in this chapter..

Summary

N ote Debugging over a serial connection is possible, but the amount of data sent using the GDB remote

Returns the location of the recorded audio Returns the MIME type of the recorded audio Returns the duration in milliseconds of the recorded audio Returns the size in bytes of the recorded audio

By now, you should be familiar with a wide range of selection techniques. You re familiar with the marching ants, but you know how to turn them off when they get in the way. You can make selections using color or contiguous regions, Bezier paths, the Intelligent Scissors, or the QuickMask. You can make simple selections more complex by combining several selections in Add or Subtract mode, or by editing them in the Paths tool, the QuickMask, or as a channel mask. In addition, you ve seen how you can change the appearance of an image by using tools on only a selected part of that image, and you ve worked with layer masks and seen how you can use gradients in a layer mask to combine two layers smoothly. You can save a selection to a channel or path, and restore earlier selections you saved that way. Selections are useful in every aspect of image editing, but nowhere are they more useful than when working with digital photographs especially photos that have something wrong with them that needs correcting. In the next chapter, let s take another look at digital photographs, and explore some techniques for touching them up or editing problematic objects out of an otherwise good photo.

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